Songs of Freedom


General

Medium: Compact Disc
Artist: Bob Marley
Label: Tuff Gong
Year: 1999
Genre:
Amazon Link:

Tracks

Title Artist Length
Judge Not
One cup of coffee
Simmer down
I'm still waiting
One love
Put it on
Bus dem shut (pyaka)
Mellow mood
Bend down low
Hypocrites
Stir it up
Nice time
Thank you Lord
Hammer
Caution
Back out
Soul shakedown party
Do it twice
Soul rebel
Sun is shining
Don't rock the boat
Small axe
Duppy conqueror
Mr Brown
Screwface
Lick samba
Trench Town rock
Craven choke puppy
Guava jelly
Acoustic medley (Guava jelly)
High tide or low tide
Slave driver
No more trouble
Concrete jungle
Get up stand up
Rastaman chant
Burnin' and lootin'
Iron lion Zion
Lively up yourself
Natty dread
I shot the sheriff
No woman no cry
Who the cap fits
Jah live
Crazy baldheads
War
Johnny was
Rat race
Jammin'
Waiting in vain
Exodus
Natural mystic
Three little birds
Running away
Keep on movin'
Easy skanking
Is this love
Smile Jamaica
Time will tell
Africa unite
Survival
One drop
One dub
Zimbabwe
So much trouble in the world
Ride natty ride
Babylon system
Coming in from the cold
Real situation
Bad card
Could you be loved
Forever loving Jah
Rastaman live up
Give thanks and praise
One love/People get ready
Why should I
Redemption song

Comments

When Songs of Freedom was released originally in 1992, it was a perfect complement to either a greatest hits collection like Legend or the entire collection of the reggae master's albums. Songs boasts enough of the recognisable from Marley's canon to address the hit seeker, but the set also reaches way, way back to include Marley's first single, the youthful "Judge Not" from 1962, and then closes more than four hours later with a 1980 live take of "Redemption Song" from his last concert. In between are live takes, studio remixes, and, of course, standard looks at Marley standards, playing together as a perfect balance between the familiar and the new. The flow of famous takes increases into CDs three and four, where "No Woman, No Cry" appears from a 1976 set at the Roxy and where "Jammin'" and "Exodus" come in mixes that were new to fans in 1992. Of course these four CDs show in wide-angle view exactly how fantastic and commercially improbable Marley was. He was able to popularise tunes about both the repression of African nations and their liberation while also bringing to rock audiences an undeniably Jamaican music, breaking the U.S. and British geographic strongholds on the 1970s pop and rock marketplace. Never mind that he made Island Records' first fortune, he also created a body of work so lasting that a four-CD set heavy on alternate versions can stand out in any contemporary music collection. For the 1999 reissue of the original 1992 box set, no new music has been added. The format has changed, though, from a long-box presentation to a cube containing individual slipcased CDs. It's still a remarkable gem. --Andrew Bartlett